A hallmark of Cia. Amok, the refinement of the scenic conception is evident in the choices that permeate this intimate production, judging by the excellent lighting, at times intense, at times melancholic, which defines a spatiality, handled by Renato Machado, the surgical, aseptic scenography by Brodt, and the subtle but constant use of Arvo Pärt's music, with special emphasis on the tension-filled noise that prevails throughout the performance.